Showing posts with label Kulisich. Show all posts
Showing posts with label Kulisich. Show all posts

Thursday, January 21, 2016

Good Night, Marija (Part II)

Marie Kulisich Webb
April 28, 1930-December 19, 2015

If you came calling in Govert recently, you know Marie Kulisich joined her friend Lorraine Jensen, a voice in the wind blowing through the prairie grass ... returning to the weathered planks of the small house that saw her birth 85 years ago, returning to the prairie she wandered barefoot as a girl, an eyewitness to the history of Govert Township in Harding County, South Dakota.

Marie's roots meander deep in her family's history, as deep as the roots of the grass blowing on the prairie, that dense tangle gripping the soil in defense of the legendary Harding County wind.* Her roots claim Marie as a daughter of the prairie, but her roots also frame her as the daughter of immigrants. Marie's parents were born a world away from the Kulisich homestead in Govert, South Dakota.

Miko Kulisich chose America in 1903, and Nike Miljas set out on the same ocean journey in 1914, as "Austrians" from that part of the world today again called Croatia. In South Dakota, Mitchell and Nikla both filed for homestead and naturalization papers in quick succession, so relinquishing the label of "Austrian" and becoming "Yugoslavian" after World War I had less meaning for them than for their families who remained in Dubrovnik. Neither Mitch nor Nikla knew a free and independent Croatia, not when they were born, not at any time before their deaths. Freedom was what they found in South Dakota, what they gave to their children.

Nevertheless, with Croatia in her blood, Marie never tired of pictures of rocky ridges leaning into the deep blue of the Adriatic Sea, nor did she tire of baking her mother's strudio or propping up Croatian cookbooks for inspiration. Marie marveled over images of large rosemary bushes growing wild, but the Croatian influence did not end in the kitchen or along the shore where the sea began.

Mitch and Nikla were Catholic, as was everyone they knew in their homeland. Nikla's Catholic traditions were easily transported with the few possessions she carried aboard the four funnel ocean liner called the SS France, a ship hauntingly reminiscent of the SS Titanic. Two years later on July 8, 1916, Mitch and Nikla were married at Saint Joseph's Catholic Church in Lead, South Dakota. Nikla became the custodian of the faith on the Kulisich homestead, as Mitch preferred shepherding his sheep to praying the Rosary. Without even a circuit priest to rely on, Nikla did what she could to assure her children would never lose the reminder of their Catholic origins, no matter where their faith would take them as adults.

Mass was the order of the day when the Kulisich family traveled to Lead, to visit family and friends in Slav Alley. Nikla's children were baptized in the same church where she and Mitch were married. Nikla saw to that. Nikla also assured her children were named according to Catholic tradition.

The uninitiated might dismiss the names Nikla chose for her children as simple, old-fashioned, unimaginative: Ann, John, Tony, Marie. Not only were these names not simple, they were complicated with meaning. All of Nikla's children had saints' names. Nikla saw to that. Nikla made sure each of her children was branded with a name carrying expectation, giving each child a personal role model. In her home, Nikla raised children named for Saint Ann, Saint John, Saint Anthony, and Mary the Holy Mother.

Catholics have a strong devotion to the Holy Mother, so naming a daughter Mary, Marie, or Marija is no middling matter. Bearing the name of Marie would be both blessing and increased obligation, as the Holy Mother loves with a perfect love. For those who have lost their own mothers, and those who have been unloved, under-loved, or loved imperfectly, the Holy Mother becomes just that, the perfect mother. How could this little girl, born to the prairie, be expected to live up to the model set by the Holy Mother?

Nikla was at her strongest, at her very best, when protecting her children. Nikla oriented her daughter, teaching Marie the compassionate arts by example. In her turn, young Marie practiced tenderness on the bum lambs, babies themselves abandoned by their mothers. And she befriended the dogs and the cats, the saddle horse, the goats, especially the goat Marie described in later years as "that silly goat who ran with the band of sheep". Nikla's lessons were reinforced by young Marie's playmates, the West sisters, and their kind and loving mother.

Marie and "that silly goat"

When all grown up, Marie married widower Warren Webb and together they raised two sons, the first son left motherless when his father was widowed, followed by a second son, both sons loved as deeply as a mother could love. The devotion Brant and David Webb have shown their mother as adults is ample testimony that Marie loved well.

Marie was not one to draw attention to herself. She was not loud, not flashy. She was not proud, not demanding. Marie tended to what needed tending, wasting nothing ... nothing, including time. She tended to her husband and sons, her home, the family business. And when that was done, Marie tended to her muse - orange paint transformed into graceful loping poppies on china, paint dabbed on porcelain breathing life into dolls with wistful eyes and tentative smiles. Marie pieced colorful fabrics into whimsical figures on quilts, embroidered flowers on scraps of fabric, fired glass capturing bubbles perfectly adrift. Marie's art also surprised and pleased in the prose poems she wrote for her family. She created all these out of love, adding beauty to the lives of the people she loved.

Marie's family grew beyond her sons and daughters-in-law, beyond her grandchildren and great-grandchildren, extended further, reaching out to friends who needed her encouragement. Then followed the years when her excursions from the cottage by the pond became increasingly infrequent. But even then Marie had a mission and a ministry ... Marie had a telephone ministry and a ministry of prayer until the day she breathed her last breath. Marie listened. Marie observed. Marie comforted. She was a master of the compassionate arts. Her mother would be proud.

How did this little girl, born to the prairie, measure up to the model set by the Holy Mother? After a lifetime of meeting each day with the desire to serve, what better legacy can Marie Kulisich Webb leave than "She Loved Well".
Morning star, so strong and bright,
Gentle Mother, peaceful dove,
Teach us wisdom, teach us love.

Good night, my dear friend, good night.

Listening to the wind blowing through the prairie grass. Kate

*The root system of prairie grass furls, and loops, and twists deep below the surface of the soil to depths reaching 10 feet and more, creating a thick mat of root-snarled soil. These naturally occurring grasses are perfectly suited to prairie land subject to drought, like Harding County - at these depths the roots tap sufficient moisture to maintain life and growth. Although plowing an acreage of land was required for ownership under the Homestead Act, widespread crop systems were not successful in the area of Govert Township, and those who remained on the land reverted to grazing cattle and sheep, largely returning cultivated land to natural prairie by the middle of the 1930's.

[Written with appreciation for the friendship of Marie Kulisich Webb, for her memories, and her companionship as I recorded the history of Govert, South Dakota. I delight in the choice Marie made to become computer literate. Without our computers, exchanging information would have been slower, as would building the foundation for our friendship. Without her taking this leap in her 70s, my finding Marie would have been harder, although I'm convinced we would have met. A year after Marie and I first made contact, Skip Wiest, whose sister married Marie's son, David, wrote to tell me that I needed to talk to his sister's mother-in-law. Skip was another who loved the history of Harding County and he is gone now, too. Those historians who remain continue to preserve their history in memory of those who have passed, so as to give another generation the strength of deeper roots. And an equal desire to continue where we left off.]

[Photo credit Marie Kulisich Webb. Used with permission] 

Thursday, January 7, 2016

Good Night, Marija (Part I)

What fun we've had, Marija, exchanging morning emails for almost eight years. That's how the deepest of friendships are made, two like-minded people exchanging ideas day after day. Two people rejoicing when the dawn bloomed bright in the eastern sky and in our hearts. One cheer-leading the other the mornings you preferred an after breakfast nap, or the matters of the world interfered with my writing. Every morning was a good morning.

Our friendship was foretold when you posted a note on the RootsWeb Internet message board in 2005, an inquiry about the Govert School. Then the snow of three winters fell on your cottage by the pond before I stumbled upon your message. I found you 10 days before your 78th birthday. "What a nice surprise!" you responded to my email, "Thank you for writing!"

After that, you shared your memories, a tomboy growing up in Govert, and I shared my research. You gifted me with answers to nagging questions and details long elusive. Our friendship started out as a long interview, a digital visit over coffee each morning.

Memories that good begged to be recorded, and not many months passed before I surprised you again, this time with your written family history, my first Govert publication. Later, when I began publishing "Thru Prairie Grass", you were the best of boosters, just like Govert Van der Boom and Charles Laflin were the best of boosters for Govert Township. Everything I wrote was, in your opinion, "the best yet".

"Good morning, Marija!", I'd write at the beginning of each day.

The good mornings we shared were many, but no more.

Good night, my dear friend, good night.

Marie Kulisich Webb
April 28, 1930-December 19, 2015

Listening to the wind blowing through the prairie grass. Kate

Thursday, May 21, 2015

Roll Call: Govert, South Dakota

Schedule a reunion and they will come. A Govert reunion. No one would miss this reunion. No one. Not Howard Jacobs. Not Charles and Zee Laflin. Not Mitch and Nikla Kulisich. Not Forrester and Louise West. Not Nick Lale. Not the Giese sisters or the Hafner brothers. Not Smokey Joe. Not Gus Toble. Not Theodore Vogt or his brother, Ernest. Not Evaline West or her sisters, Alice Mae or Shirley Jean. Not Marie Kulisich.

No one would miss this reunion. Not Govert Van der Boom. Not his wife, Emma. Not his sons, Virgil, Gordon, or Roger. If a reunion could roust the founding family of Govert from the grave, why would other Goverites hesitate to break a path back to Govert, South Dakota, back to the beginning?

No one would want to miss this reunion ... a reunion where every man, woman, and child bearing allegiance to Govert, South Dakota, would gather to share the stories of their lives.

Schedule a reunion and they will come.

They appeared over the horizon from every direction, these former neighbors. From North Dakota by way of Buffalo and Reva, crossing the Slim Buttes. From the west, leaving sunny homes where they retreated in retirement after years of buffeting by the icy Harding County wind. From the south, joining other reunion travelers northward by way of Rapid City and Belle Fourche and Newell. From eastern states they came, crossing the Missouri River to reach the prairie lands rolling away from the western bank.

They came hunched over from days astride the back of a horse, or bumping along in buckboards, rattling in carts, cruising in the relative comfort of a Model T or a Model A. They came perched on tractors and harvesters, roaring on motorcycles, cruising on bikes, and and peddling tricycles, little legs pumping hard. And some arrived footsore. But no one was going to miss this reunion.

Charles Laflin's wagon came into sight first, Govert newspaperman and booster, eager to gather again those he once rallied into community. Just then appeared Mitch and Nikla Kulisich in their Chevy, wheels flattening the prairie grass, small particles of soil rising behind them as dust. Forrester and Louise West pulled up alongside in their '39 Ford pickup truck. Gustav Toble, eating the dust of the Ford and Chevy, while raising his own, watched for familiar landmarks over the backs of the mule team straining against the weight of the wagon, the wheels turning, turning, over the prairie grasses, returning Gus to the place that gladdened and saddened his heart, toward the town that gave him a place to be during the Depression years.

Look! Do you see Howard Jacobs who, together with Govert Van der Boom, founded the prairie crossroads town of Govert? He's there - look - over there to the west - his buggy rolling sedately toward the Govert Store, Laura Belle sitting elegantly at Howard's side on the leather seat.

A 9-year-old Howard Jensen appears riding bareback, his lips pressed together insistently, his mouth watering at the thought of the chocolate and caramel candy bar he would buy on his father's account at the Govert Store.

The Hafners arrive as they did in 1913 from the east, in two covered wagons, trailing a herd of cattle and a herd of sorrel horses with startling blonde manes. Ollie Nelson, on horseback, joined his friends Peter and William as the three maneuver the herds forward toward Govert. Peter's wife, Clara, and Clara's sister, Lora Giese, reins in hand, pointed the teams and wagons toward Govert, eager to return to the place they raised their families.

And there's Dina Olthoff, looking uncomfortable sitting astride a white horse, still wearing the heavy Dutch dress she safeguarded on the ocean voyage from Holland, a dress better worn sidesaddle. Peter Rosenthal rides the black horse beside Dina ... Petrus ...the reason Dientjie made the journey to New York by ship, and then west to South Dakota by train.

Schoolmarm Dixie Blomberg sits lightly, trusting her horse to pick his way across the prairie, Dixie's eyes skimming the prairie grasses for the hint of purple of the prairie lilies. The schoolchildren abandon their game of tag, tearing across the gumbo flat, shirts and skirts flapping. Miss Blomberg! Miss Blomberg! Dixie pauses, surprised to see the small up-tilted ovals, eager, full of smiles and dirt smudges, the children, her children, clustering around her, drawing her back into their lives.

The matronly figure of a woman in a floral-patterned house dress, apron askew in the breeze, walks briskly from east of the Govert Store. As the distance closes, the Van der Boom boys run out to greet their aunt, Lydia Gee, and to get a better look at the two deep-green watermelons their cousins, Melvin and Russell, lug to the reunion feast. That this was not the season for harvesting watermelon gives them no cause for concern.

Schedule a reunion and they will come.

They come from the years leading up to 1909, when open range ranchers, and squatters, and then homesteaders claimed the prairie. They come from the 1910's and the 1920's when Govert was full of hope, and growth still seemed possible. They come from the '30s and 40's when only the very hardy dared to remain on the prairie. And they come from the 1960s when Elizabeth Marty May, now a member of the South Dakota House of Representatives, was a schoolgirl at the Govert School. The Brinks are there. Howard Jensen's son, Doug, is there. Everyone is at Govert for the reunion.

These are the homesteaders, the farmers, the ranchers who made their lives in and near Govert Township. These are the farm hands who stayed for a season or two, like Cornelius Kraatzenbrink ... and the families who left before the census taker ever knocked at their door, like the Putmans. These are the men, women, and children who felt the embrace of the Govert community.

As familiar faces and forms streamed over the horizon, Govert Van der Boom fidgets in the doorway of the Govert Store bestowing his bright smile on the earliest arrivals, favoring the children with the twinkle in his eye. Next door in the residence, Govert's wife, Emma, eager and impatient, cheeks red, stirs the pots and casts a nervous peek into the oven of the hot woodstove ... pausing now, one hand on her hip, straightening, to ease the ache in her back. She slides the roast out of the oven and the table trembles when the pan falls into line with the ham and the pies. A waft of earthy rich coffee from the big pot on the stove floats out the window overlooking the Slim Buttes.

Eunice Jensen's frosted layered white cake ... with the filling of ground raisins and nuts baked into a custard ... bounced on her knees as Hugo pulls on the steering wheel in a futile attempt to avoid the ruts deeply engraved into the dirt road passing in front of the Govert Store. Louise West's dozens upon dozens of oatmeal cookies bulged in the re-purposed cloth flour bags, a bounty proudly carried by Evaline and Alice Mae and Shirley Jean. Nikla Kulisich carried a brilliant strudio, her offering for special gatherings. Dina Rosenthal brought salmon croquettes. And someone brewed up a pot of oysters and milk into a bona fide oyster stew.

Others brought sandwiches layered on fat slabs of richly buttered, freshly made bread. They brought hot potato salad, cold potato salad, cabbage salad, chicken salad, deviled eggs, meat and vegetable casseroles of every description, and dishes with the exotic appeal of Croatian, Dutch, German, Belgian, Scotch, and English influences. Everyone brought a bowl mounded high, a heavily laden platter, a sloshing pot to add to the feast, because that is what they expected of themselves and their neighbors. That was the way they socialized in the years gone by when Govert was their home. That same community sharing, personal responsibility, and self-sufficiency remain the tradition in Harding County, honored ever more by the passing of the years. The joy of the potluck dinner lives on.

I wouldn't miss this reunion, not for anything. Would you? Heaven on earth is the opportunity to ask the questions you never thought to ask while you still could ask them.

Schedule a reunion and they will come. Follow this link to call the roll.

Listening to the wind blowing through the prairie grass. Kate

[Written with gratitude to SD Representative Elizabeth Marty May, SD Representative Sam Marty, Myrna Giannonatti, Howard Jensen, Patricia Dreesen, Frank Goodell, Marie Kulisich, the West sisters, to everyone who shared their family stories of Govert, South Dakota, with me over the years.

If you would like to return to the list of invitees in the future, you will find "Govert Roll Call" on the right hand panel of the blog itself at ThruPrairieGrass.blogspot.com.]

Thursday, December 25, 2014

Oh That Strudio!

Think back ... think back to 1941. Back to December 25, 1941 ... to Christmas day 73 years ago today.

Now picture Christmas dinner, the meal your mother, your grandmother, your great-grandmother, or maybe even your great-great-grandmother labored so lovingly to prepare.

And now, picture dessert. Even if dessert did not follow most meals in your house, today was Christmas day, and surely, oh surely, your meal would end with a sweet treat and a contented smile. Yes, Christmas day was special for many reasons, and a fancy dessert was one of them.

Now, tell me, what was the dessert served in your home or your grandmother's home December 25, 1941? Was it an angel food cake or a cherry pie? Did you eat plum pudding? Did this detail of Christmas dinner slide into the silence of lost memories?

Marie remembers. Marie, called by her Croatian name, Marija, was eleven years old by Christmastime in 1941. Marie remembers because Mother, referred to by the rest of the Govert community as Mrs. Kulisich or as Nikla, baked a Croatian dessert on special occasions. And Christmas was a special occasion everywhere, including the Kulisich Ranch two miles south of Govert, South Dakota.

On Christmas Eve in 1941, Mitch Kulisich woke at 5 o'clock in the morning, the same as every morning. Mitch braced himself against the cold as he lit the kindling in the cook stove in the kitchen, the same as every morning. Today was special though, this he knew. After 25 years of marriage, Mitch and Nikla had no secrets. Today was Christmas Eve and Mitch knew Nikla was in a baking mood.

Nikla felt the mattress shift and then she sensed Mitch's absence. She lifted her arms and stretched in bed, smiling as she followed the familiar early morning noises ... the soft thud of Mitch's feet against the wood planks as he moved about the house, the groan of the door to the firebox as Mitch added wood to the stove, a scraping as Mitch lifted the bucket to fill the kettle with water, and then a firm thunk as the heavy kettle of water was seated on the cast iron stove to heat.

How Nikla loved this house! One big room where they all slept, an attic, plus a kitchen added as a sort of lean-to. The house was built four feet into an earthen bank and so was warmer in winter and cooler in summer. She was content here.

For the first 19 years of their marriage, they lived in what had been Mitch's homestead shack, a mile to the west. That house had grown into a bedroom, a living room, and a kitchen by the 1920s, but burned to the basement in the summer of 1935. Marie remembers her father sitting in the doorway of the granary after the fire, wiping his eyes with a big red handkerchief. They lost everything and then lived out the Depression cooking and sleeping in the cramped granary. Five years they lived in the granary.

Then, in June 1940, Mitch and Nikla moved their family to the old Kinney place, where this very day Nikla was stretching in bed. And now Nikla was just where she wanted to be, with a big kitchen about 12 foot by 20 foot, large enough for a work space and a separate area for a table and chairs where the family could sit together for meals, and where they could entertain neighbors who came calling.

Nikla came to America from Croatia in 1914, a teenager, traveling alone, speaking not a single word of English. She worked at a cousin's house in a Slav neighborhood in Lead, South Dakota, to pay off her fare from the old country. Two years after she arrived in a country foreign to her in every way, Nikla married this Slav man whose soft thudding footsteps now comforted her in the early morning hours. She moved from poverty in Croatia, to poverty in Lead, to poverty in Govert.

Their life was not without luxuries. Living in this house was one of them. And another was waking to a wash basin of hot water. Nikla had to wonder whether the husband of any other woman in Govert gave his wife, morning after morning, year after year, the gift of hot water in which she could dip her wash cloth. She knew she was among the very fortunate to have married a man who was so strong and capable, yet protective and gentle to her and their children.

Mitch was confident his favorite breakfast would be on the table this Christmas Eve morning. He just knew. Special days were like that - the surprise that no longer surprises, but still pleases. His eyes rested on Nikla where she stood over the wash basin of hot water, brushing a towel over her wet face, his gaze uninterrupted as she lifted her apron from the back of the chair where she left it the evening before. Nikla adjusted the apron, knotting the ties around her waist, as she moved toward the stove, and Mitch's eyes turned with her as she added coffee grounds to the open pot and put on cereal to cook. Corn meal mush. Mitch smiled, his confidence rewarded. Corn meal mush, bread and butter, and coffee. His favorite breakfast. This was indeed a special day.

After breakfast, Mitch hefted his heavy coat over his shoulders, fastening it close around him and, taking a deep breath, he plunged into the cold Harding County air. While Mitch checked the sheep, Nikla opened the door to the firebox to evaluate the wood still burning there. She nodded with approval at the extra wood piled by the stove where her son, Tony, left it the night before. Then Nikla pulled out her cutting board and her knife and set to roughly chopping dried prunes and dried apricots.

Nikla welcomed the familiar chopping rhythm. As she reduced the dusky prunes and nectar-colored apricots to chunks, Nikla gave thanks for the two men who sent the dried fruit to this place so far away. Mike Sentovich, the corner grocer in Slav Alley in Lead, deputized the mailman for his delivery, and Mitch's brother, Anton, sent sacks of prunes from California, big sacks weighed by the tens of pounds. Without the dried fruit, the Kulisiches would have had no fruit at all. Fresh fruit was not easily or inexpensively available to them.

Nikla piled the chunks of dried prunes and apricots in her big sauce pan and threw in a handful of raisins. She carried the sauce pan to the stove and added water from the kettle Mitch had set to boil on the stove earlier that morning. The dried fruit, now simmering in water, re-hydrated, plumping up by the minute.

While the texture of the dried prunes and apricots was transformed to a silky softness, Nikla finished her morning chores. She washed and dried the breakfast dishes and stacked them in the tall, free-standing cupboard. Feeling the satisfaction of a job well done, Nikla swept the wide wooden planks in the floor, and proudly put her house in order. And all the while, Nikla kept her eye on the simmering fruit so the pan would not boil dry.

When the fruit had softened and the sauce had thickened, Nikla removed the pan from the stove to the table. With her hands, Nikla smoothed the bibbed apron protecting her cotton dress. Nikla always wore a dress; trousers, jeans, and overalls were for men, and for her young tomboy daughter, Marija. Nikla's dress was a print, either yellow or green, her favorite colors. Nikla's apron was also a print, either yellow or green ... and, print against print, apron against dress, the effect was just right.

While the fruit cooled, Nikla paused from her housekeeping, paused from her baking, paused from the sights and sounds that made her life here on the ranch near Govert so comfortable and, for a moment, the peace in her domain cracked. The Pearl Harbor attack, now 18 days past, still gnawed uncertainly on her world. Nikla was sure Pearl Harbor was far away, maybe even as far away as her home in Croatia where she had not returned, and now would never return. Safety comes with distance, but a mother knows the distance can never be far enough when she has sons. Tony was 22, and John was 20. But it was Christmas Eve, and Nikla tended to the preparations in front of her, the same way she approached everything in her life.

With the fruit still cooling, Nikla entered into the great mystery of creating strudio. She pulled her mixing bowl and big mixing spoon from the cupboard, her rolling pin, and her baking pan, and set out the bag of flour, sugar, butter, eggs, and the small tin of ground cinnamon. And the can of nuts. And a muslin towel. Nikla was ready.

The towel was the key, and Nikla prepared that first. She spread the towel on the table and sprinkled the towel with flour. Then Nikla broke two eggs into her mixing bowl. She beat them well, until the color was lemony, the color of the yellow in her dress. She added flour to the beaten eggs, the amount depending on the eggs, as Nikla never used measuring cups. When the eggs and the flour clumped into a ball and was no longer tacky to the touch, Nikla patted the ball flat and, placing the disk on the floured towel, she picked up her rolling pin.

Nikla rolled the dough thin, into a circle. Then she spread the fruit over the surface of the dough, followed by what must have been a cup of chopped nuts. She dotted the entire surface with butter, and followed that with a sprinkling of sugar and of cinnamon.

And then Nikla rolled her strudio. Lifting the edge of the floured towel, Nikla gave the towel a quick tug and an upward jerk and the edge of the dough closest to her flipped over. Another tug and jerk of the towel, and then another, and the fruit covered dough turned upon itself again and again until one layer, then a second layer, and then a third layer of the dough formed a roll. The rolling is the mystery of the creation of what would be a stunning strudio.

All that was left now was to spread butter on the strudio and to bake her pastry creation in a medium oven, a temperature Nikla would judge by her senses - which we would describe as 350 degrees. When the strudio was lightly browned, after an hour in the oven, Nikla's dessert was ready for her Christmas table the following day.

Today 11-year-old Marija is 84, and her mother's strudio remains a favorite memory of childhood. She remembers Nikla's dough, when baked, had a crunchy texture, almost like noodle dough. As an adult, grown-up Marie baked her own version of strudio for her children, adding shortening to Nikla's recipe to make the crust more like pie dough. In this way the tradition of Nikla's Christmas strudio was passed to another generation.

The story about making Christmas strudio was to have ended here. You were to have scrolled down to a photo of a stunning strudio, a long, well-turned roll of fruit-filled pastry, browned to perfection, with a slice on a plate to show the symmetry of the spiral of pastry and fruit. With that in mind, my research plan for the story included baking both a strudel and a strudio. As it turns out, writing Marie's story about her mother's strudio was a lesson not to count my strudio before they are baked.

The first thing I learned in this culinary research is that strudio and strudel are not the same thing at all. Although both appear as rolled pastry, the strudel has a fruit-filled center with layers of pastry on the outside. In a strudio, the fruit is dispersed throughout the layers of pastry. In publishing Nikla's recipe, the St. Mary's Catholic Altar Society cookbook functionally translated "strudio" as "fruit roll".

You probably won't find the word "strudio" in a Croatian cookbook; Marie and I didn't. Still, Nikla was not the only Croatian woman to bake strudio. The Lales, another Croatian family with Govert ties, also celebrated special occasions with strudio. Whether the word originated in a community in Croatia or whether it originated in Govert, whether the inspiration was that of Nikla Kulisich or Pauline Lale, whether the word was recorded by history as strudio because of Nikla's Croatian accent or Marie's American ears, "strudio" is the word that survived.

Strudio and strudel are not the same, but similarities do exist. The same floured towel technique is used for rolling both a strudio and a strudel. The filling is the same. But for slicing the rolled pastry, not even Mitch would be able to tell the difference because, straight out of the oven, a strudio and a strudel appear identical. Had I not dipped my hands in the flour like Nikla did, had I not used the floured cloth to coax the dough into roll, I might have missed the probable answer to the origin of the word "strudio". Maybe the word really is the invention of immigrants. Not a strudel, but something like a strudel, so a strudio. Or, as my husband said, having cheerfully assumed responsibility as taste tester, "strudel-ish".

My research strudel turned out quite well. Nicely shaped, golden brown, an enviable result, perhaps beginner's luck. The appearance of my research strudio was, well, not so nice, certainly not stunning like Nikla's strudio. Russ, as official taste tester, reported to me, "I agree the strudio is not as pretty as the strudel, but the flavor is much better". I was surprised. And my taste tester continued sampling the strudio.

Like Russ, Mitch would have happily eaten the strudio I baked but, without a picture of a stunning strudio, my preconceived ending to the story fell into doubt. I could not in good conscience pass off a picture of the successful strudel as strudio. This was, after all, a story about strudio. So I did what any author with a rigid plan would have done: I considered making a second strudio.

And then the muse who is inside of each of us, if only we listen, nudged me. And, for once, I listened. Sometimes we have to be reminded that things are not always what they appear to be. The image of the strudio I had labored over so hopefully was not one I was willing to commit to the public eye, but the flavor was better than that of the more attractive strudel cousin. The strudio was not what it appeared to be. First, it wasn't a strudel at all and, second, my sad little strudio was a happy mash of pie dough and fruit. My muse smiled and went back to sleep.

Things are not always what they appear to be. And, just as my muse repeated to me ... things are not always what they appear to be.

Maybe this story isn't what it appears to be.

Consider this. Applying an economic standard, Nikla and Mitch appear to be poor.

But were they poor? Things are not always what they appear to be.

Maybe this story is not about strudio after all. Maybe this is a story about Nikla and Mitch.


MERRY CHRISTMAS FROM GOVERT, SOUTH DAKOTA!

This story is dedicated to Marie's great-grandchildren.

Listening to the wind blowing through the prairie grass. Kate

[Written with gratitude to Marie Kulisich for her memories.

The photograph in this blog post is used with the permission of Marie Kulisich. In the back row are John, Ann, and Tony. In the front are Marie, Mitch and Nikla.

Gratitude is owed to Robert Jerin, who has been kind to entertain my questions on all things Slavic since 2010. Robert has long been associated with the Croatian Heritage Museum in Cleveland, Ohio, and is the moderator of the Croatian Heritage and Genealogy page on Facebook. Robert was not familiar with a Croatian word like "strudio". Robert advised that the Croatian word for strudel is strudla (pronounced like shroodlah). He suggested the possibility that "strudio" may derive from dialect or family tradition.

The natural concerns of a mother for her sons following December 7, 1941 were to become very real for Nikla. The son she and Mitch named John Govert Kulisich joined the Marine Corp in 1942. John served as a Corsair pilot, and remained in the Marine Corps until he retired as a Master Sergeant in 1962. Tony (formally named Anton after his uncle) was deferred from service in World War II because his labor was necessary to maintain ranch operations.

Marie tells me that wood produces a faster, hotter fire. Wood was preferred in the kitchen for cooking and baking. The stove in the second room was fired with coal. Coal was good for banking the fire at night as the coal did not burn as fast. Paul Ellis operated a coal mine near the Slim Buttes, and he provided coal to most of the Govert community. The wood the Kulisich family burned in the cook stove came from the Slim Buttes, with Mitch and his sons collecting the wood in the fall. If wood were ever in short supply, a Govert family would use whatever fuel was available. Nikla might have baked her strudio in an oven fired by coal this Christmas Eve in 1941.

The cookbook published by the St. Mary's Catholic Altar Society in Newell, South Dakota, is undated, but Marie believes publication preceded 1973.]

Thursday, May 8, 2014

Sheep Ranching in Govert, South Dakota, by Marie Kulisich

After writing about calving [Ain't She Sweet ... Calving in Harding County, South Dakota], I read the Nation's Center News with my pen, marking every mention of calving. Week after week my edition of the newspaper was so marked up, I could have connected the marks to fill in a picture of a calf. Then, a couple of editions ago, I saw the first mention of lambing along with the calving. Lambing continues now as the calving activity slows down. Marie Kulisich, the daughter of Mitch and Nikla Kulisich, told me about her experiences with lambing and sheep ranching in the 1930s and 1940s. Marie was born in Govert, South Dakota, and that is where she spent her childhood, attending school, and as a valued young ranch hand on the Kulisich Ranch. I am introducing Marie as a guest blogger.

SHEEP RANCHING IN GOVERT, SOUTH DAKOTA, by Guest Blogger, Marie Kulisich

I remember watching a program on TV about a veterinarian helping a cow give birth when she was having trouble, and I was reminded of how my dad did that with sheep, going in and turning the lamb so the ewe could birth her lamb easier. How did my dad know how to do that? Somehow whatever knowledge is needed comes to a sheep rancher intent on saving his sheep!

All the homesteaders in the Govert area first tried to farm, but the land was not good for farming. Then they tried cattle, but the grass was not good for cattle. Then they tried sheep. The sheep could eat the short grass that was close to the ground. The ranchers could make a better living from sheep, because they had two checks per year, one for each of two harvests: wool in the spring and the lambs in the fall. Cattle ranchers just had one check a year that being for the calves.

Lambing time was the first part of May, when the weather was warmer for those new babies. The lambs suckled soon after birth, and got by outside pretty well if it was dry. We did not have shed room for all the sheep and their lambs. We had "tepees" which were canvas, waterproof, small tent affairs with rods running through and around, with four sides that anchored into the ground and were big enough to cover a ewe and her new born lamb out on the prairie.

This tepee shelter kept the sheep and lambs dry if the day was cold and raining, and then you went out and brought the sheep and new lambs home before the day was over. Even today when I see rain and some snow in the air, I'm reminded of what a miserable day we'd have on the prairie at Govert herding sheep, maybe even a few first lambs arriving, and would have to use the little tepees to keep the newborns dry. The rest of the herd raced across the prairie, they too hated the wind!

Marie Kulisich on "Pony" carrying a new lamb in front of her.
I was often sent out to herd the "drop" bunch, the ewes that hadn't had their lambs yet. And one time I watched helplessly while an eagle swooped down across the draw from me, and took the new lamb up and away into the sky and its doom! I felt so bad!

My schoolmate, Evaline West, told me they once had a black ewe and she had black triplets. This is quite unusual and would make the news today. The sheep mother could only tend one lamb and the two other lambs became pets for Evaline and her sisters, Alice Mae and Shirley Jean. What was so cute were the names the girls gave their black lambs, something like Midnight and Lignite. They were ewes so were kept. We kept the black sheep as 'markers' within the herd. Like one black sheep for every 25 or 50 sheep so that when you brought the herd in at night you counted the black ones to get an estimate if you had them all.

The lambs without a sheep mother were called "bum lambs". Some ewes had twins but didn't have enough milk to feed two lambs, so one was taken away to be raised as a "bum" on a bottle. We used a pop bottle, with a store bought nipple and cow’s milk. I was supposed to feed the bums but my soft-hearted dad didn't want to wake me at five in the morning and would do it himself! I was fond of the bum lambs. They were my playmates, along with the dog, the cats, the saddle horse, and later that silly goat.

Dad had another option in dealing with bum lambs and that was to bond a bum lamb to a foster mother. If a ewe's lamb died, Dad would skin the dead lamb and tie the pelt on a bum lamb and shut the foster mother and foster lamb in together for a day or two until the ewe accepted the new baby. Sheep recognize their lambs by smell. Thus there was one more lamb for fall harvest! 

Then towards the end of May came "docking" time when lambs had their tails and testicles, called "wethers", cut off. Sheep were brought into the corral, and then my job was to catch the lambs and put them in the pen. Dad held the lamb in the pen and my brother, Tony, did the rest, not a pleasant job to be sure. I always held back the black lambs or black spotted ones until last, thinking I was giving them a reprieve.

Then next came shearing time, probably June. My memory of this was all the bleating as ewes and lambs were separated. The lambs were left outside the corral while ewes were run inside to pens by each shearer. When the shearing was done, the ewes were turned outside to find their bleating babies.

Outside the barn where the shearers were, a big scaffold was set up to hold the huge wool sacks. Tony was in the sack, tramping down the fleeces of wool to make a very tight sack. These sacks for wool were maybe 10 or 12 feet long, and they also had "ears", two on the bottom and two on top, so there was a way to handle them, loading on the truck at the ranch, and off again at the wool house at Newell.

Right after the sheep were sheared, we branded them. Our brand for the sheep was a "K". The branding tool - I think it was made from wood - was dipped in paint and then on the back of the sheep. Each rancher had a different color. I seem to remember that the Lale's brand was black, the Wests used green, and ours was red.

Then in September came the time to truck the lambs to market in Newell. Dad hired truckers to come in and haul lambs in the fall, and the big sacks of sheared wool in the spring, to Newell by truck. Leonard West was one of the truckers, no relation to Evaline. Leonard later married my sister, Ann. Frank Wald was one of the truckers when he was still living in Newell; later he moved to Govert.

Highway 79 was pretty good, but the couple of miles from the Govert store to the ranch was a country road, no more than a trail, no problem for the truckers as long as conditions were dry. The trail we used went across the Gee property to our place. Back then no one had much concern about trespassing, although you were expected to always shut gates, which was very important so the livestock didn't get out. The trucks used this trail across the Gee place when they came to get the lambs in the fall to ship to market, and the huge sacks of wool in the spring for the same reason. The truck had to ford the Moreau River as well, no bridges there for just one family!

I was amazed how my mother cooked for and served so many people when the truckers were out at the ranch, and that was when we lived in the granary after our house burned down, so we had little room. I think it was in the fall of 1937 when Leonard West and his brother, Bud, and Lee Post from Newell were there for supper. They were the truckers that came to haul the lamb crop to Newell for sale, and I'm sure a couple other men were there to help with the loading. What did my Mother feed all those people? I do realize it was a much simpler time then and I would guess she had a big roast or fried chicken, potatoes and gravy, homemade bread and butter, coffee and perhaps pie and that was it, but my mother served ample amounts and men like that! In the fall she might have had some garden stuff. And I am amazed at all the social interaction there was. These days were events!

We did not eat mutton or lamb. Mutton is not a very desirable meat, has a tallow taste and must be served very, very hot and spiced up like with rosemary. Besides, ewes produced the lambs and the wool which were our two cash crops per year and likewise, we would never kill a lamb.

We were grateful for the two incomes a year, the one in the spring for the wool and the other in the fall for the lambs. Many ranchers had a charge account at the Govert store and also at Brattons general store in Newell, and they paid up in spring when they sold the wool and in the fall when they sold the lambs. I'm more appreciative now of my parents and how they made it through the Depression when many of the ranchers were unable to pay even their real estate taxes. My parents were very conservative and carefully planned how to use the money from the wool and the lambs. Even during the Depression, we always had plenty to eat with our own milk, cream, homemade bread and butter, chickens and eggs, and Dad's garden.

My parents were both born in what is now Croatia. My dad had no ranching experience before he homesteaded near Govert. I'm so often going back in my thoughts to my dad's sheep raising operation, and wonder how did my dad know how to do all of this, how many sheep the land would feed, lambing time, docking time, shearing time, trucks coming in to haul out the big sacks of wool in the spring and when to have them come again in the fall to take out the lambs!

After the spring harvest of wool and the fall harvest of lambs, another year passes for the sheep rancher. As for me, I loved school and could hardly wait for school to start in the fall. Winter time for the rancher was slower, just herding sheep every day and battling the snowy, windy days of the winter ... 

... and listening to the wind blowing through the prairie grass. Marie and Kate

[Shared with gratitude to Marie Kulisich for recording her memories.]

Thursday, May 1, 2014

Get Together, Pull Together, Stick Together (Part III: A Novel P.T.A. Program)

What was so fascinating about the P.T.A. program in February 1935? This long ago evening in Govert, South Dakota, was so novel and so innovative, you will be distracted from your otherwise natural expectations for a tedious and oftentimes contentious meeting between parents and teachers. You see, the entire Govert community was in agreement over the conduct of the school, so their energies were not dissipated in discord but were channeled into creating a program calculated to be people pleasing ... and please the people it did. Goverites created the entertainment, and Goverites were their own entertainment. With such joy in the planning, and in the execution of the program, no possibility existed for any person in that schoolhouse, that night, to be a passive observer. This was to be a night of surprises.

The program was entertaining and appealing ...
      amusing ...
           interactive ...
                 personal ...
                      spirited ...

The program committee tailored original readings ...
      for unsuspecting attendees ...
           to present sight unseen ...
                bringing the community together to laugh ...
                     and play and socialize ...

The authors of the vignettes
      mined the depths of their imaginations and literary skills ...
           and their knowledge of their friends and neighbors ...
                their neighbors who were their friends ...
                     their friends who were their neighbors ...

Once they identified their performers, what did the P.T.A. program committee use for material? The committee of three was well-positioned to know everyone's business in Govert. Secrets have a short expiration date in a small town; they just won't stay secret. Adelaide Calkins, Mrs. Wesley Horton, and Fredric Laflin were the perfect playwrights to compose each part of this carefully choreographed evening. Adelaide was the 36-year-old schoolmarm of the Govert country school. Ida Wendt Horton, 33 years old, was a local girl, born just down the road in Castle Rock. Ida had two children attending Govert School, Evelyn Marie and Dale Vernon.

The last member of the program triumvirate was a young man, only 21 years old. You might think that being both young and unmarried, Frederic Laflin might disdain dipping his toe in his neighbor's business, but no one was immune in Govert. Besides, Frederic was the son of the editor of the Govert Advance, the local newspaper whose success was based on reporting the activities of the community. Yes, that Frederic Laflin. Frederic was Govert-born and well-versed in the ways of his community. Frederic was absolutely perfect for this job.

The evening planned by Adelaide, Ida, and Frederic started with upbeat music, songs in which everyone joined, intended to generate enthusiasm and unity. According to Mr. Laflin's coverage in the Govert Advance, "The first four songs on the program in which the peppy musicians were joined by Mr. and Mrs. Wesley Horton and Frederic Laflin most assuredly welcomed one and all to the P.T.A. that evening." The songs were Come In, Hello, The More We Get Together, and Smile Awhile.

Come In might have been the song that goes something like this: "Enter, rejoice, and come in. Enter, rejoice, and come in. Today will be a joyful day; enter, rejoice, and come in." Never you mind that this may have been sung Sundays in church. The folks up there, in those times, didn't have to segregate their faith life to the realms of private rumination. They played out their faith and wouldn't have thought twice about singing a song with hymn overtones at a P.T.A. meeting in the schoolhouse ... which was also their church on any Sunday a pastor was in the neighborhood.

But Hello? What were the lyrics to Hello, and to what melody were the lyrics sung? Some details are lost to history. Fortunately, the remaining two introductory songs from that night might ring more familiarly in your mind.

The More We Get Together  
The more we get together
Together, together
The more we get together
The happier we'll be
Cause your friends are my friends
And my friends are your friends
The more we get together
The happier we'll be

The more we play together
Together, together
The more we play together
The happier we'll be
Cause your friends are my friends
And my friends are your friends
The more we play together
The happier we'll be

The more we dance together
Together, together
The more we dance together
The happier we'll be
Cause your friends are my friends;
And my friends are your friends
The more we dance together
The happier we'll be

The more we get together
Together, together
The more we get together
The happier we'll be
Cause your friends are my friends
And my friends are your friends
The more we get together
The happier we'll be
The more we get together
The happier we'll be
The more we get together
The happier we'll be

Smile Awhile
Smile awhile and give your face a rest
Raise your hands to the One you love the best
Then shake hands with those nearby
And greet them with a smile
[Repeat]

We are not blessed with a copy of the program script for the vignettes performed by our Govert neighbors that night, so we don't know exactly what the words of the original compositions were. Nevertheless, the title of each vignette was printed in the Govert Advance. The titles suggest the individual readings were based on recent, perhaps even "notorious" events, or a widely-noted personality feature unique to that person.

In the Govert Advance, Charles Laflin set the stage. "Miss Adelaide Calkins was at the piano. Seated and facing the audience were Dale Horton, Billy Lale, Evelyn Horton, Waldo Jergenson, Elsie Lale, John and Anton Kulisich. [...] With a world of pep in music and songs, and a happy smile of anticipation this lively group introduced and invited to the platform each surprised person to whom a reading or song was handed. All responded and it was, indeed, a severe test for some - but everyone did splendid, that's why we're so proud of them."

How did this play out in real time? With the piano accompaniment of Adelaide Calkins, the choir of her school children sang an "invitation song", specially composed to identify the next unsuspecting performer. Fifteen Goverites in succession were called to the front of the single room of the schoolhouse, and they responded just as if they were again nervous schoolchildren called upon to recite their lessons.

The invitation song was based on a common melody. For example, "Herbert's a Jolly Good Fellow" as a come forth song would have followed the tune of "For He's a Jolly Good Fellow" to bring Herbert Scofield to the front of the class. We can easily imagine this as some variation of:

For Herbert's a jolly good fellow,
For Herbert's a jolly good fellow,
For Herbert's a jolly good fell---ow
Who gives us jolly advice.

With the invitation song ringing in his ears, now burning bright red, Herbert Scofield, and everyone else called forward in this manner, found his or her way to the front of the room through laughing and jostling neighbors. Each accepted the proffered script and each, in the spirit of community cooperation, made a performance that, even if not eligible for an Emmy, brought good humor to that corner of the Depression era prairie.

So here we go. What follows are the title of the invitation song and the title of the assigned reading for each of our 15 Govert neighbors who performed that night ... along with what might possibly have been the program committee's inspiration.

1. Invitation by the choir: "Howdy Do Joseph Grandpre"
Response performed by J.L. Grandpre: "Howdy Do Kind Friends"
Joseph Leo Grandpre was a respected, longtime Govert resident having arrived before 1920. He knew everyone, was always glad to see everyone, was friendly with everyone. He was a welcoming man, so would be the perfect person to open the program and set the stage for the acts to come. Mr. Grandpre is remembered by then 6-year-old Evaline West as a short Frenchman ... the influence of his French Canadian parents ... very neat in his appearance, dark eyes flashing with energy. He was not a loud man, but was a lively and energetic little man, outgoing, and jovial. You couldn't help but like Joseph Grandpre.

2. Invitation by the choir: "Cheer Up Ida"
Response performed by Ida Wendt Horton: "He Wasn't Necessary"
Ida was blonde, blue-eyed, nice-looking, maybe a little thin to be as attractive as she could have been. It’s not that Ida wasn’t cheerful. Ida was friendly and outgoing, but Ida was a bundle of nerves, as if she wasn’t quite comfortable in her own skin. Some thought her nervousness was connected to her worry over her son Dale’s heart problems. Then, too was the fact that Ida was a go-getter and her husband Wesley could never get anywhere on time; he was laid back like his brother, Rayford. Anyone who had to deal with a spouse like that would sympathize with Ida. She was a good person, not negative, just had thin nerves. But what about the second part, the title of her reading? Who or what wasn't necessary? The author of Ida's reading would hardly have disregarded a person as unnecessary, so "he" must have been something as uncomplicated as a turkey or a chicken who escaped the coop. Remember, Ida was on the program committee. And so was Frederic, whose reading came next. You might notice that no reading was prepared for Adelaide, leading us to suspect that our much loved schoolmarm playfully wrote the readings for Ida and Frederic.

3. Invitation by the choir: "Frederic Will Shine Tonight"
Response performed by Frederic Laflin: "Afeard of a Girl"
Twenty-one was an awkward age for Frederic Laflin. He would soon be considered a ladies' man, but the ladies had yet to encourage him. Frederic's father, Charles Laflin, was short and his mother, Mary Zee Campbell, was considered a bit tall for a woman. Frederic himself was the anomaly standing over 6 foot tall, maybe even six foot three. His nickname was “Broom Laflin” because he was so tall and thin. Frederic may have been afeard of all girls, or maybe he was afeard of one particular girl ... and that might have been Inez James. Another two years would pass before Frederic and Inez married. Frederic would have been much more confident in 1935 had he known that he and Inez would have a beautiful and spirited daughter, Saundra, and grandchildren and great-grandchildren to preserve the Laflin foothold in Govert Township. Yes, that Frederic Laflin.

4. Invitation by the choir: "Herbert's a Jolly Good Fellow"
Response performed by H.L. Scofield: "Hints for Him"
Herbert and his wife, Signey, were a good-looking couple. All the Scofields were well-groomed including children, Dorothy and LeRoy. Herbert himself may have been a font of grooming advice, counseling young men on the importance of good grooming and how best to maintain a good appearance.

5. Invitation by the choir: "What's the Matter with Waldon" [The coming forth song may have been based on What’s the Matter with Father.]
Response performed by Waldon Lemm: "Teachers"
Come now, Waldon, you really didn't think it was a secret you were paying court to the schoolmarm? Remember that 6-year-old girl who stayed with Adelaide at the teacherage during the school year? Well, that little girl still remembers your coming to visit, sometimes staying for dinner, and everyone else in Govert knew about you and Adelaide, too. Truth be told, Adelaide's divorce remained fresh in memory, Waldon was a younger man, and maybe the timing just wasn't right for Adelaide. Waldon found another love and married in 1943, but Adelaide and Waldon remained forever friends.

6. Invitation by the choir: "Sing a Ling, Ling, Mr. Laflin"
Response performed by Charles E. Laflin: "No Salesmen Allowed"
Without Charles Laflin's experience stringing telephone lines prior to taking up a homestead in the township to the north, Govert may never have enjoyed the ding a'ling a'ling of that new-fangled telephone device. Was the dawn of the telephone in Govert also the dawn of telephone solicitation? Or was Mr. Laflin impatient with the many peddlers who found their way into his otherwise quiet corner of the prairie? Transients selling brushes or clothing or encyclopedias; or buying pelts or bones; or speculators in land. Mr. Laflin was a very good person with only the best of intentions, and he might have been surprised to learn how powerful and influential people thought he was. One thing for sure, Mr. Laflin assumed a lot of responsibilities and, understandably, he would have had no time for anyone intent on wasting his time.

7. Invitation by the choir: "Are You with Us Lillian Hafner"
Response performed by Lillian Gudmunson Hafner: "Too Promising"
Lillian Gudmunson was an outsider, arriving in the Govert area first as a schoolteacher and remaining to marry rancher George Hafner. Of the two, Lillian was the more reserved. George was outgoing and personable, a grownup who stopped to play with the children in the schoolyard. With her daughter, Mercedes, ready to start school, Lillian may have had conflicting loyalties. Which would prevail, the Govert community she adopted as her own, first as teacher and later as a rancher's wife, or her own desire for her children to have the best educational opportunities available ... a desire which might have seemed traitorous had it taken them away from Govert and to a larger town.

8. Invitation by the choir: "In Style All the While"
Response performed by Lydia Vogt Gee: "Babies"
Lydia Gee was a well-dressed woman, in a modest, middle class kind of way. She may have had interest in fashion but, as for most women at the time, Lydia was challenged by the economy and fashion looked more like a housedress. She was a competent woman, very involved in the Govert community, with special status as a longtime resident and a former schoolteacher. To young Govert mothers, Lydia was the older, wiser woman, caring and gracious, a respected adviser. Now at 48, with her two sons finishing high school in Newell, soon to embark on their own lives, Lydia had reason to sit back and smile about babies, doting on and fussing over the babies in the Govert community and dreaming of her own grandchildren, the first of which would not be born for another 15 years. If the issue was fretting mothers yearning for stylish baby clothes in the middle of the Depression, I can imagine my great-aunt offering the wise counsel that "Babies are always stylish".

9. Invitation by the choir: "Hello Delore"
Response performed by Delore Grandpre: "Trouble Brewing"
What kind of trouble could be brewing for this 16-year-old boy? Delore and both of his parents were part of this collection of vignettes. All three were chosen to participate because the program committee knew they would do so in good humor. Delore could not have been a troublemaker. So what trouble was around the corner for Delore? Or any 16-year-old boy, for that matter. Must have been something to do with abundant testosterone reserves.

10. Invitation by the choir: "O Mrs. Grandpre"
Response performed by Amanda Bekken Grandpre: "Nothing to It"
"Oh, Mrs. Grandpre" sounds like a plea for assistance by a young neighbor desperately seeking advice. "Nothing to it" is the response of someone with superior experience born of overcoming challenges by force of an indomitable, can-do spirit. "Just do it this way. Nothing to it!" Both Mr. and Mrs. Grandpre were outgoing, and were blessed with a strong, positive attitude. They were relaxed and fun to be around. Nothing to it.

11. Invitation by the choir: "Give John Donohue a Hand"
Response performed by John Donohue: "When Hog Meets Hog"
Twenty-five-year-old John Donohue was a rancher, son of a rancher, brother of a rancher. Young stallions like John have been known to tell a tale or two. The re-telling of his story about competing hogs may have been even better than the original.

12. Invitation by the choir: "Signey Went Over the Mountain" [This come forth song may have been based on The Bear Went Over the Mountain, sung to the tune of For He's a Jolly Good Fellow.]
The bear went over the mountain,
The bear went over the mountain,
The bear went over the mountain,
To see what he could see.
And all that he could see,
And all that he could see,
Was the other side of the mountain,
The other side of the mountain,
The other side of the mountain,
Was all that he could see.

Response performed by Signey Bekken Scofield: "Advertise"
Maybe Signey was developing entrepreneurial ideas. After all, ranch wives brought in reliable income with their cream and butter products and with the eggs they collected. They also tended the turkeys and the chickens offered for sale to townspeople who didn't raise their own. Maybe Signey had ambitions.

13. Invitation by the choir: "O Mr. Toble"
Response performed by G.H. Toble: "Kissing Neath a Mustache"
"Oh," she said coyly, "Mr. Toble, your mustache tickles." Those are words Gus Toble probably never thought he would ever hear again. His wife, Amy, died four years earlier after being terribly burned in a fire that began in the stove flue and consumed their Govert home. Gus was struck senseless by the tragedy, but he got a second chance at love with the charming Widow Byers who lived up by Cash. The Govert community closed ranks around Gus and he kept his ties to northwestern South Dakota for the remainder of his life. Lydia Vogt Gee called Gus uncle, as did Emma Vogt Van der Boom, the wife of the founder of Govert. Everyone liked Gus, including children and dogs. At the P.T.A. business meeting this very night, Dale Horton couldn't hold back his enthusiasm for Gus ... this 10-year-old boy jumped up in that large group of adults to nominate Gus for the next program committee. Dale's burst of fondness reflects the community's support for Gus and his new companion. Writing a playful "Kissing Neath a Mustache" vignette just for him and his generous mustache tells us the same thing. The Widow Byers became Mrs. Gus Toble on March 19, 1935, nearly a month after Gus performed his part in the P.T.A. program.

14. Invitation by the choir: "My Name is Bert Ellis"
Response performed by Bert Ellis: "Proper Length of a Man's Legs"
Bert Ellis had very strong opinions about politics, about the senselessness of Prohibition, about nearly everything subject to judgment. This went hand-in-hand with a propensity toward giving advice. Both opinions and advice were framed by his sense of humor and a reputation for being something of a tease. If asked to opine on an appropriate height for a man, he might very well have said something profound and a little flippant like, "The proper length of a man's leg is from his hip all the way to the ground."

15. Invitation by the choir: "Willie Boy"
Response performed by Wm. Donohue: "The Wild Cow"
Oh, where have you been Willie Boy, Willie Boy; oh, where have you been charming Willie? Like his older brother, John, William Donohue had something of a rough and tumble cowboy reputation to protect and perpetuate, and the tales of valor to go with it ... here, probably a tale of derring-do and a wild cow.

In addition to the 15 vignettes, the P.T.A. program offered three other acts. The first provided a break in the action after eight Goverites performed their surprise readings. This was when Dorothy and Rayford Horton sang Good Ship Lollipop to the accompaniment of harmonicas played by their cousins, Evelyn and Dale Horton. After the 15th, and final, vignette, Adelaide Calkins led the entire assembly in singing We Won't Go Home Until Morning. By then it appeared unlikely that anyone would go home before morning. So say we all of us ...

[Sung to "For He's a Jolly Good Fellow"]
We won't go home until morning
We won't go home until morning
We won't go home until morning
Till day-light doth appear
Till day-light doth appear
Till day-light doth appear
We won't go home until morning
We won't go home until morning
We won't go home until morning
Till day-light doth appear

The very last act was A Radio Program, performed by Mr. and Mrs. Wesley Horton, together with their children, Evelyn and Dale, with Frederic Laflin as the radio announcer. Huddling together around a radio was wonderful entertainment for those with the good fortune to have a radio in their home. Mimicking the vocal affectations of the actors and the sound effects, as well as static and echoes in reception would have made a clever skit. As Charles Laflin wrote in the Govert Advance, this last act "produced a peck of fun and completed a splendid program of interesting, wholesome fun."

Adelaide may have correctly gauged the evening by leading the group in We Won't Go Home Until Morning. After the program starring our Govert neighbors, which easily passed the two hour mark and may have crept up on the third, Charles Laflin, the P.T.A. President, presided over the business meeting [see the minutes at Get Together, Pull Together, Stick Together Part I]. By the time Mr. Laflin adjourned the business meeting, his Govert neighbors were more than ready for their bona fide oyster stew supper [for more on the food that night see Get Together, Pull Together, Stick Together Part II]. Only after the last oyster was slurped down did anyone consider leaving for home.

All that remains is one last quote from Charles Laflin in the Govert Advance: "If loyalty and happiness spells fragrance and beauty, then we think the beautiful blossom was a wonderful one and feel sure pleasant memories will survive its fading away." Getting together, pulling together, sticking together was never more fun.

Listening to the wind blowing through the prairie grass. Kate

[Written with gratitude to Evaline West, the six-year-old first grader living with Adelaide Calkins when Waldon Lemm came to court, now a charming eighty-something woman with a remarkable memory of her neighbors while growing up in Govert Township; and with reference to the 14 March 1935 edition of the Govert Advance.]

Thursday, April 3, 2014

Get Together, Pull Together, Stick Together (Part I)

Thirty-nine people paid two-bits apiece to become a member of the Govert, South Dakota, Parent Teacher Association (P.T.A.). Charles Laflin, the editor of the Govert Advance, would mark this bright enthusiasm as an unqualified success for the rural crossroads town of Govert. Mr. Laflin was not ready to admit the town of Govert, his town, the town into which he invested every watt of his own enthusiasm, was already beyond the glory days as a crossroads town, Depression or no Depression. The year was 1935. The month was February.

To learn of a thriving P.T.A. flourishing here within reach of the shadow of the Slim Buttes might have surprised the census taker for Govert township in 1930, when he wrote names on only 40 of the 50 lines of a single page of the official government census form. Govert township had 11 households in 1930. By 1935 only four of those families would have children of school age. But the census taker was a woman, June Laflin Knight, Charles Laflin's sister, and June understood the heart of Govert.

Just how important could the P.T.A. have been in Govert, South Dakota, that rural community in southeast Harding County? Thirty-nine adults supporting a mere handful of children is an eye-popping example of civic involvement by a small rural community. With the amusing entertainments and the excellent food, the P.T.A. served the important social function of drawing the community together in cooperative spirit. If the Govert P.T.A. had a motto, the message could have been "get together, pull together, stick together".

How could you not look forward to a P.T.A. night when laughter and friendly voices drifted from the schoolhouse to cover the prairie? The minutes prepared by P.T.A. secretary, Mrs. Gee, will speak for her, for the 39 members of the P.T.A., and for every other hanger-on who attended the meeting on February 22, 1935. The minutes were printed in the Govert Advance on 14 March 1935, published 79 years ago. Mrs. Gee wrote:

"The P.T.A. met in regular session Feb. 22nd.

"Reversing the usual order of procedure, the Program Committee took immediate charge and rendered a very entertaining, original and jolly program.

"Following the program, the business was opened by the Pres., who gave the object of the P.T.A. organization. The following were added to membership: Mrs. C.D. Calkins, Gust Toble, Bert Ellis, Howard Nichols. This makes a total of 39 members. Minutes were read by Sec'y.

"Nominations for committee then in order. Motion made by Adelaide Calkins, seconded by Mrs. Scofield that Mrs. W.B. Gee act as chairman of next program committee. Motion made by Mrs. Gee, seconded by Lillian Hafner that Margaret Wammen act on committee. Motion made by Dale Horton, seconded by Herb Scofield that Gust Toble act on committee. Nominations were then closed.

"John Donohue, Mr. Scofield and Lillian [Hafner] were nominated to act on supper committee. Nominations were then closed.

"Motion made by Mrs. Gee, seconded by Adelaide Calkins, that a program committee be elected for the April program, thus giving them ample time to make their arrangements. The following were elected on the committee of three. Lillian Hafner, chairman, Mrs. Joe Grandpre, Mrs. Herb Scofield.

"Mrs. Gee then reported that the March committee had been very fortunate in making arrangements with Prof. Taft of Newell High school to give a talk on Educational subject. He plans to be accompanied by members of his male quartet.

"The meeting then adjourned and the supper committee took charge and served a bona fide oyster supper to a large crowd. [signed] Mrs. W.B. Gee, Sec'y

The program Mrs. Gee mentioned in her minutes turned out to be, quite frankly, a product of creative genius. From Charles Laflin, the editor of the Govert Advance, we learn, "The get together, pull together, stick together spirit was evidenced by the response of each and everyone called upon in a novel, impromptu program put on by the entertainment committee, Miss Adelaide Calkins, Mrs. Wesley Horton and Frederic Laflin."

A "novel, impromptu program" ... now that is a P.T.A. program with promise, isn't it? The program was, without a doubt, "novel", but the "impromptu" part took buckets and buckets of planning and imagination. As evidence of an evening of unparalleled entertainment, please note the membership will increase by 10 to 49 by the March 1935 meeting of the P.T.A. The next time we meet here on the blog, we will look at February's "novel, impromptu program". For now, based on the coverage in the Govert Advance, we can gauge the cast of characters for the February 1935 P.T.A. meeting and program.

Mollie Brucker Calkins, age 58, wife of Clifford Delbert Calkins; in 1929 C.D. and Mollie Calkins traded Govert Van der Boom and Emma Vogt Van der Boom the Calkins house in Spearfish for the Govert store and residence.

Adelaide Christina Calkins, age 36, current schoolmarm, daughter of C.D. and Mollie Calkins; formerly married to "Odd Socks" Esler, a man said to be a small-time cattle rustler; she was well-loved by the children she taught.

John Donohue, age 25, single, rancher, brother to William.

William Donohue, age 20, single, rancher, brother to John.

Bert Ellis, age 50, rancher; Bert and his wife, Lottie, had no children but were loved by every child they ever met; they lived in the township west of Govert township.

Lydia Vogt Gee, age 48, homesteader in her own right in Meade County in her youth, now wife to Walter Benson Gee, mother to Melvin Gee and Russell Gee, who earlier attended Govert School; former schoolteacher, community organizer; sister to Emma Vogt VanderBoom, wife of Govert Van der Boom, founder of Govert.

Joseph Leo Grandpre, age 41, rancher, and his wife, Amanda Bekken Grandpre, age 44, who was born in Norway.

Delore Grandpre, age 16, son of Joseph and Amanda Grandpre.

Lilian Gudmunson Hafner, age 28, former schoolmarm, married to George Hafner, who was the son of Govert pioneers.

Dorothy Horton, age 9, and her brother, Rayford Horton, age 6, children of John Raymond Horton and Alva Oline Bekken Horton, sister of Amanda Bekken Grandpre.

Evelyn Marie Horton, age 12, and her brother, Dale Vernon Horton, age 10, children of Ida Wendt Horton, age 33, and Wesley Horton, age 42, brother of John Raymond Horton.

Waldon Jerome Jorgenson, age 15, raised by his Uncle Gust I. Jorgenson and Aunt Bessie Eugenia Holt Jorgenson, on the Jorgenson ranch.

John Govert Kulisich, age 13, named after the town where he was born, and his brother, Anton M. Kulisich, age 15, children of Mitchell "Mitch" Kulisich and Nikla Mijas Kulisich; Mitch and Nikla were born in what is now Croatia and were Govert pioneers.

Charles Eugene Laflin, age 61, owner, publisher, editor and distributor of the Govert Advance, president of the P.T.A., unofficial mayor of Govert, South Dakota; lived in the township to the north of Govert township; a Govert pioneer.

Frederic Orr Laflin, age 22, single, farmhand, son of Charles Laflin and Mary Zee Campbell Laflin; lived in the township to the north of Govert township.

William A. "Billy" Lale, age 8, and his sister, Elsie Lale, age 13, children of Nick Lale and Pauline Guka Lale. Nick and Pauline were born in what is now Croatia and were Govert pioneers; Nick Lale is a cousin to Mitch Kulisich.

Walden C. Lemm, age 24, single, rancher.

Howard Nichols, a man of singular mystery.

Herbert Leroy Scofield, age 38, and his wife, Signey Adela Bekken, age 32, sister of Alva Oline Bekken Horton and Amanda Bekken Grandpre.

Gustave Herman Toble, age 57, who immigrated from Krummenflies, Flatow, West Prussia, as a child; rancher, coal miner, and widower, uncle of Lydia Vogt Gee and Emma Vogt Van der Boom.

Margaret Wammen, age 22, single, schoolmarm at the Govert School beginning September 1935.

Who else beyond those mentioned in the Govert Advance would squeeze into the schoolhouse that night in February 1935 ... brothers and sisters, parents, bachelors and spinsters, neighbors old and young, from Govert township and from beyond the township boundaries. Consider this ... if Anton and John Kulisich were part of the P.T.A. program, their mother and father and little sister, Marie, who would start school in September 1936 with Margaret Wammen as her teacher, would have been there, too. Little Marie Kulisich would not have missed a P.T.A. meeting for a world of presents.

If these Goverites have names you've seen before, you can influence the direction of my next posting. Leave a comment or write to me at thruprairiegrass@gmail.com.

Listening to the wind blowing through the prairie grass. Kate

[Based on an article published in the Govert Advance, March 14, 1935, entitled "P.T.A."]

Thursday, February 6, 2014

Fox and Geese ... and Children ... Oh My!

No winter passes in the North Country of South Dakota without the bite of bitter cold. This very day of February the temperature in Buffalo, South Dakota, may rise as high as 5 degrees. Yesterday the high was -3 and last night the temperature fell into the double digits below zero. Harding County winters were no different back when Govert School was in session to teach the children of Govert township.

The memory of Govert as a town includes the memory of wood frame houses with little or no insulation, miserably warmed by a wood or coal burning stove. Goverites had no experience with layers of insulation in their attics measured in inches, with high efficiency gas or electric furnaces, with double paned windows. How cold was it? Cold enough for the pail of water in the kitchen to freeze during the night. Yes, that cold.

But what does this have to do with fox and geese and children? For this story we need a winter scene, so play along.

During the years the Govert community stood on the prairie ... during the 1910's, the 1920's, the 1930's, and into the 1940's ... the only warm place in the house on a cold day was the stove. The stove came in many shapes, and your house might have only one ... the cook stove ... but picture in your mind a pot-bellied stove. From watching their parents, children learned to face the stove to warm their hands and their front side, and then to turn around to warm their back side. Many of the stoves had a foot rail so you could pull up your chair and prop your feet on the stove rail. In winter, life in the North Country played out within the effective radius of the stove. Yes, that cold.

And now on to the fox and geese and children.

A favorite winter game for Govert school children was Fox and Geese, a game of tag. Other agreeable versions of tag could be played before the first snow and after the last snow, but Fox and Geese required a good snowfall. Sitting at their desks in the one room Govert school house, with that first snow calling them by name, the children grew restless for recess, eager to stomp out a new playing field. They fidgeted and bit their lips, made faces, looked around and rocked in their chairs, making scratching and thumping noises.

By the time the children thought they could restrain themselves no longer, the teacher knew their minds were beyond her reach and she called recess. If it was the year Miss Blomberg was the teacher, the children who jumped from their desks were James Donohue, Mercedes Hafner, Marie Kulisich, Billy Lale, Albert Springer, Edwin Springer, Roland Springer, Alice Mae West, Evaline West, and Nona Marie Wald.

For whatever reason of childhood, not even the most unbearable of cold winter days could get in the way of children intent on recess. The children piled into the cloakroom and bundled up, layering on sweaters, coats, mufflers, mittens, snowsuits ... whatever they had taken off and hung on the hooks when arriving at school that morning. They early learned to pull on their snow boots before adding on the last layers of clothing, or they would never be able to bend over and reach their feet.

Scrambling outside to their favorite play area, the children then stomped and shuffled through the snow, one behind the other, like a parade following in the same path. First, the children stomped a path making a circle, a large circle several feet in diameter. Then they stomped straight paths across the circle like a wagon wheel, one rim to the other. The hub of the wheel was stomped flat, too. Shuffle and stomp. Shuffle and stomp.

If you've never seen the wheel of a horse drawn wagon, you might not be able to imagine how the spokes radiate from the hub in the middle to the rim on the outside edge. In that case, think of how a pie is cut, from one edge of the circular pan to the other. These Govert children knew their wheels and they knew their pies, and they knew how to easily entertain themselves.

Entertain themselves they did. Miss Blomberg was sure to add certainty to any indecision over who would be the fox. The fox, of course, was "it" in both nature and on the playground. Maybe James Donohue was the fox. He was one of the older boys that year. Or maybe Marie Kulisich, or one of the West girls was the fox this time. Everyone took a turn at being "it". No one seemed to mind.

The fox took a place in the hub of the wheel while the remaining players, who were the geese, spread out along the circular path, as far away from the fox as they could get. And then the wily fox leapt from the center of the circle and chased the geese. The geese scattered around the circular path and up and down the straight paths. Once the chase was on, the children could not leave the perimeter of the outer circle.

The playground purist might insist that the fox could only follow the straight lines, while the geese could seek escape along any path. But, as with any playground game, you might make your own rules. Who really cares who follows which path when all you want is a good chase and 15 minutes of shrieking excitement. The purist would tell us the goal of the game was for the fox to tag a goose, who then became the hunter instead of the hunted. Miss Blomberg might confide the goal was to consume the excess energy of children who would otherwise wiggle in their chairs during lessons.

These children of Govert, played hard during recess. They ran hard, jumped hard, laughed hard, and the excitement and activity warmed them better than any stove. Recess ended with rosy cheeks, glowing eyes, and numb fingers. Most children are reluctant to give up their freedom for the classroom once again, but our future mothers and fathers, and future ranchers, future teachers, social workers, and artists returned to the cloakroom of their one room schoolhouse, and once again hung their coats and snowsuits on hooks.

Now wait for it ... wait for it ...

Not much time passed before the first child walked into the narrow circle of heat surrounding the pot bellied stove in the schoolhouse. No one seems to mind. Miss Blomberg was cold, too, and didn't discourage the children from leaving their seats and warming themselves at the stove. Another child takes a turn at the stove, and then another. The children warm their hands facing the stove, and then turn around to warm their back side.

What is it about recess that makes children invincible as against the cold?

Listening to the wind blowing through the prairie grass. Kate

[Written with gratitude to the fox and geese of long ago Govert, South Dakota, Marie Kulisich and Alice Mae and Evaline West.]

Thursday, December 12, 2013

Merry Christmas from the Govert, South Dakota, P.T.A.!

"Merry Christmas!" "Hiya, neighbor! Merry Christmas!" "Good evening and Merry Christmas!" "Hey! Merry Christmas!" "Merry Christmas to you, too!"

Voices from every direction called out cheery greetings as Goverites gathered at the schoolhouse for the Govert, South Dakota, P.T.A. Christmas Program. Every man, every woman, and every child, glowing shiny clean and rosy from excitement, was carefully dressed for the holiday celebration. They were ready for the best, the biggest, the most enthusiastic community gathering of the entire year.

Inside the schoolhouse, the children's desks had been pushed to the fringe of the room and rows of wooden benches were lined up facing the blackboard in front. In the swelling anticipation, an evergreen tree decorated with tinsel and colored balls, standing awkwardly to the side of the blackboard, seemed bigger, brighter, and more confident than perhaps it really was. Nine-year-old Marie Kulisich thought this tree, brought in from the Slim Buttes, was the most beautiful Christmas tree she had ever seen.

Darkness closed in on the schoolhouse and, although the weather grew only colder and colder as the evening progressed into night, the coal stove burned hot. Gasoline lanterns, carried in by the Govert neighbors, radiated light and a little heat, brightening the schoolroom. With all the neighbors crowded into the single room of the 19' by 27' schoolhouse, the air became warm, almost steamy.

The desk of the Govert country school teacher, Alma Eleanor (Cox) Schuck, the widow of Walter Benjamin Schuck these last 14 years and more, was pushed to the side of where the stage now sat in front of the benches, on the side opposite from the decorated evergreen tree. Every inch of Mrs. Schuck's desk was obscured by plates holding cakes and cookies, and more plates holding sandwiches piled so high as to threaten to tumble. And coffee. The P.T.A. always served coffee, strong and hot.

With no admission fee, the P.T.A. Christmas Program was the perfect holiday activity for rural Harding County families during the Great Depression. What should Goverites find in the Govert schoolhouse that night in December but a glamorous Christmas tree, hours of laughter and heartfelt entertainment, companionable fellowship with neighbors, and sugary treats for everyone. Who could ask for more happiness than the oh-so-pleasant here-and-now, in that interlude before leaving this bright place to find their way home in the dark and cold of the earliest morning hours?

Like all the years preceding, the P.T.A. Christmas Program for 1939 was an acclaimed hit among Goverites and all the farming and ranching families within reach of the Govert schoolhouse. The performers that year were Mercedes Hafner (2d grade), Marie Kulisich (4th grade), Leroy Scofield (2d grade), Roland Springer (1st grade) and Edwin Springer (2d grade), and Alice Mae West (4th grade) and Evaline West (6th grade). Twelve-year-old Billy Lale was the oldest student at Govert School that year; he was in the 7th grade. Billy joined in the songs and acted in the plays with the other students.

Eager for holiday excitement, the grade school students, their parents, brothers and sisters, and all of their neighbors, including the old bachelors in the township, began the program singing ... quite loudly ... "Joy to the World". The children ended their program much, much later, tired and happy, singing "The Tree That Blooms at Christmas." Between these two songs were plays, readings, recitations, a dialog, and more holiday musical favorites.

P.T.A. PROGRAM

Joy to the World ...... Song by All

Silent Night ...... Song by Govert School

Just a Hint ...... Reading by Alice Mae West

Our Baby ...... Recitation by Edwin Springer

One Drawback ...... Recitation by Roland Springer

It Came Upon the Midnight Clear ...... Song by Govert School

Tangled Telephone ...... Play by Govert School

Poor Dolly ...... Recitation by Mercedes Hafner

Christmas at Grandma’s ...... Recitation by Leroy Scofield

Put a Candle in the Window ...... Song by Govert School

Christmas Angels ...... Reading by Evaline West

Nurse! Nurse! ...... Dialog by Alice Mae West and Marie Kulisich

A Wise Christmas Gift ...... Recitation by Edwin Springer

Dear Little Stranger ...... Song by Govert School

Christmas Strategy ...... Play by Govert School

Hark the Herald Angels Sing ...... Song by All

The Tree That Blooms at Christmas ...... Song by Govert School

By the time the Govert schoolchildren sang the Christmas lullaby, Dear Little Stranger, little brothers and sisters were snuggling in their parents' laps, with mommy's or daddy's protective arms around them. The adults were smiling nostalgically, remembering their happiest Christmas times. Waves of light and sound echoed between the stage and the densely seated benches. These are the voices of children you would have heard: Dear Little Stranger.

And these are the words:
Low in a manger, dear little Stranger,
Jesus, the wonderful Savior, was born.
There was none to receive Him, none to believe Him,
None but the angels were watching that morn.

Refrain:
Dear little Stranger, slept in a manger,
No downy pillow under His head;
But with the poor He slumbered secure,
The dear little Babe in His bed.

Angels descending, over Him bending,
Chanted a tender and silent refrain;
Then a wonderful story told of His glory,
Unto the shepherds on Bethlehem’s plain.

Dear little Stranger, born in a manger,
Maker and Monarch, and Savior of all;
I will love Thee forever! Grieve Thee? No, never!
Thou didst for me make Thy bed in a stall.

By the time the children reached their finale, "The Tree That Blooms at Christmas", Mercedes, Marie, Leroy, Roland, Edwin, Alice Mae, Evaline, and Billy wistfully sang their wishes for a Christmas tree with presents stacked underneath.

We, with hearts so light and happy
Gather 'round the Christmas tree;
There are gifts that love has given,
Gifts for you, and gifts for me.

Chorus:
See the tapers, lighted, burning,
Sending forth a cheery glow;
See the tree, a-sparkle, turning,
All its dainty gifts to show.

Tops and balls, and drums and every
Gift to mention, swinging there.
What care we, though snowflakes whitely,
Flutter through the frosty air.

For the tree that blooms at Christmas,
With its fruit so strange to see,
Bears amid the shining branches.
Some sweet, dainty gift for me.

As they sang, the children were glad for this holiday celebration at the schoolhouse ... and wondered whether their own tree would bloom this Christmas.

Listening to the wind blowing through the prairie grass. Kate

[Based on an article in the Govert Advance, December 28, 1939; with gratitude to Marie Kulisich for assisting with details; Dear Little Stranger, Charles H. Gabriel, 1900; The Tree That Blooms at Christmas, Author Unknown, sung to "Let the Lower Lights Be Burning", Philip P. Bliss, 1871]